The Tenants (2005) Reviews

• A Fairly Interesting Film

  mrnaturalsez2006-01-31

  Just finished watching "The Tenants" last night, and thought I'd make a couple of comments, as of this date, there really hasn't been much info or opinions given about it yet. In general, I thought it was a pretty decent movie, being similar to "Barton Fink," and it held my interest throughout the film. There wasn't a very involved plot, but the main characters were interesting, as was the character development. One of the central themes of this film was racism. Both of the male leads were racist. "Mr. Dogg's" character was outwardly so, but, for Lessor, it took some time to see that, deep down, many of his views about blacks were based on "facts," or stereotypical ideas us white folk pick up when young, or somewhere along life's way. I had started to like Lessor, as he was a quirky character, who was living his life as he wanted, irregardless of whether it was along society's guidelines or not, but as these came out, along with my impression of him coming off as a know-it-all, I found myself, little by little, losing any affinity I had felt towards him, and by the last parts of the film, I was actually hoping for something nasty to happen to him. I must add that, although I am leaning on the side that this is what he wanted, I am not sure if these impressions of Lessor were, indeed, what the filmmaker was trying to have the audience see, or if these were just my own personal thoughts. I saw some comments in the message boards on the question of whether Snoop Dogg could act in a serious role. For my two cents, I thought he did a pretty decent job. I'm not sure I'm ready to start comparing him to Marlon Brando or Dustin Hoffman just yet, but this type of role is kind of new for him, so he's still got time yet. In his previous roles, the films revolve around and utilize his skills as a rapper, a "player," and all-around slick guy, and he has been at, or near, the top of his profession for many years. I think it takes some courage on his part to risk failure, to try a different venue where he's trying something new, and where he isn't considered some kind of "God." It makes me wonder though, how someone with the unbelievable life he appears to have, would still want more. I guess it just goes to show you that we can get accustom to, and even bored with, just about anything. Yeah, I suppose all that money, and the women, and the adoration from everyone you meet, can just get old after a while, huh?

• A decent indie flick worth checking out

  guyfromjerzee2006-12-19

  Being that I am not a fan of Snoop Dogg, as an actor, that made me even more anxious to check out this flick. I remember he was interviewed on "Jay Leno," and said that he turned down a role in the big-budget Adam Sandler comedy "The Longest Yard" to be in this film. So obviously, Snoop was on a serious mission to prove that he has acting chops. I'm not going to overpraise Snoop for his performance in "The Tenants." There are certainly better rapper/actors, like Mos Def, who could've done more with his role. But the point is Snoop did a "good" job. He can't seem to shake off some of his trademark body movements and vocal inflections, but that's something even Jack Nicholson has a problem doing. The point is I found him convincing in the role, and the tension between him and Dylan McDermott's character captivating. McDermott, by the way, gives the best performance in the film, though his subtle acting will most likely be overshadowed by Snoop's not-so-subtle acting. Being a big reader and aspiring writer myself, I couldn't help but find the characters and plot somewhat fascinating. It did aggravate me how Snoop's character would constantly ask McDermott to read his work, and berate him for criticizing it. But you know what? I'm sure a lot of writers are like that. His character was supposed to be flawed, as was McDermott's, in his own way. My only mild criticism of the film would be its ending. For some reason, it just felt too rushed for me, though the resolution certainly made sense and was motivated by the characters, rather than plot.

• Too literary adaptation of "classic novel" sinks under its pretensions

  dbborroughs2006-03-24

  Tenants Two writers struggle to complete their books in an all but empty apartment house. They at first help each other and then slowly the tension between them begins to build. This is based upon a Bernard Malamud novel and unfortunately everyone speaks as though they are in that novel. Very little of the dialog is natural, its purple and brimming with shades of meaning. Its as if a college English major with a head full of pretensions wrote the script. It's awful and I found myself instantly immune to anything the film had to say, which is a shame since the film is populated with great performances from top to bottom. Snoop Dog on down are fine form, unfortunately none of them can over come the falseness of the words and the premise. I can't really recommend this movie. While not really bad, its very preachy and pretentious to the point of making you want to walk away. I lost interest less then a third of the way in and had to struggle to get to the end. If you're interested I'd try it on cable, but I wouldn't lay out good money to see it.

• Slightly better than I expected

  eidolonse2006-06-19

  I ended up watching The Tenants with my close friends who rented the movie solely based on Snoop Dogg's appearance (a passionate fetish of theirs) on the cover. Understandably, I did not expect much. I thought the movie would include the typical array of Snoop Dogg related behavior and imagery often seen in cliché rap videos. However, my generalization was for the most part wrong. Unfortunately, this didn't make the movie any better. Most would describe the movie as a dark serious drama, whereas I would describe it as a dark seriously drawn out boring drama flick. The film tells a story of two struggling writers (Dylan McDermott and Snoop Dogg) who are trying to create their own separate masterpieces. Their polar opposite lifestyles end up forming an unlikely but highly complex and neurotic friendship. This friendship moves throughout the entire movie like a wild roller-coaster - most of which is contributed by Snoop's character - reminiscent of someone with a severe case of split personality disorder. And although the movie is a drama, the acting - which has a morbid and serious tone - from Snoop and company was more comical than anything else. I wouldn't recommend this movie for those who are attention impaired because this one has a lot of dialogue and a lot more dialogue after that. There are some mediocre conflicts, but even they are mostly bogged down with more dialogue. The end, however, jumped at me with a sudden surprise. It was a little bit twisted, somewhat unexpected and a perfect way to wrap up a movie that needed to end. While watching the ending credits I couldn't help but picture the director thinking, "Oh God, how the hell do I end this snoozer." By the way, the director laid out carefully planted hints and subtleties leading to the climax - all of which are more visible than Waldo in a crowded street of midgets wearing nothing but black sweaters.

• A Microscopic Examination of Urban Life and the Writer's Mind

  gradyharp2006-04-08

  THE TENANTS began as a 1971 short novel by the now deceased Bernard Malamud - writer/philosopher - examining the conflicts between Jews and African Americans in the incendiary atmosphere of Brooklyn at the time the book was written. As a novel the story was gut wrenchingly real: as transcribed into a screenplay by novices David Diamond and Danny Green (who also directs) it is more of a cerebral dissertation that gradually erupts into action in the final moments. Harry Lesser (Dylan McDermott) is a Jewish novelist with one book under his belt but currently attempting to finish his 'newest' book ten years into the writing. Convinced that he must complete the novel in the same environment where it was started. he is the sole tenant in a condemned Brooklyn tenement owned by Levinspiel (Seymour Cassel) who constantly tries to 'buy out' Harry's lease so that the filthy dilapidated building can be demolished. Into this atmosphere enters another Black militant quasi-anti-Semitic writer Willie Spearmint (Snoop Dogg) whom Harry befriends, hides, and offers help to the nascent novelist's attempt to write about the death of all white people. Harry's attempts to help Willie lead to conflict, not the least of which is Harry's meeting Willie's girlfriend, the white Jewish Irene Bell (Rose Byrne) at a less than friendly gathering of Willie's militant black brothers and sisters. Willie and Irene are on the skids and Harry gradually falls in love with Irene and they plan to leave New York as soon as Harry finishes his novel. When Willie hears of the assignation and is further critiqued by Harry, Willie explodes and begins the downward descent of not only a delicate friendship but also a competition between writers. The ending 'reveals the slippery nature of the human condition, and the human capacity for violence and undoing'. The actors do their best with a script that is a bit awkward but despite scripted lines that border on preaching they create believable characters. The cinematography enhances the story, keeping the mood dank and dense and primarily confined to the condemned building. The musical score appropriately makes use of the solo jazz trumpet and blues piano to underline the tension and isolation of each of these groundless characters. Though it takes some patience to make it through the cerebral ramblings, the film in the end is worth watching. At least it attempts to recreate Malamud's bizarre look at life in the big city. Grady Harp