SYNOPSICS
The Descendants (2011) is a English movie. Alexander Payne has directed this movie. George Clooney,Shailene Woodley,Amara Miller,Nick Krause are the starring of this movie. It was released in 2011. The Descendants (2011) is considered one of the best Comedy,Drama movie in India and around the world.
Matt King's family has lived in Hawaii for generations. His extended family - namely he and his many cousins - own 25,000 acres of undeveloped land on Kauai held in trust, which ends in seven years. The easiest thing for the family to do is sell the land before the seven years is up, which is all the talk in the state, as, to whom they sell the property could very well change the face of Kauai. Despite the vast wealth that comes with the land, Matt has decided to live solely on what he earns as a Honolulu lawyer. However, Matt has not had a perfect life living in Hawaiian paradise as many believe. He and his wife Elizabeth were having problems in their marriage. She recently got into a boating accident which has placed her in a coma. Their seventeen year old daughter Alex is in boarding school on the big island since they couldn't handle her rebellion, which was made all the worse by an argument of an unknown nature between mother and daughter during Alex's last visit home. And their ...
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The Descendants (2011) Reviews
One of 2011's best
The Descendants is not a movie that's easily defined. In the macro view, it's about a man grieving for his wife, who lies in a coma from which she may never emerge, while simultaneously attempting to care for his two rambunctious daughters, each of whom is nearly alien to the workaholic man. But don't hastily dismiss this as a tearjerker about some guy coming to grips with mortality and/or learning a little something about himself along the way. This is a movie that runs the gamut of emotions, with pristine sincerity, grace, dignity, and rich realism. Matt King (George Clooney) is the workaholic, a lawyer who lives in Hawaii. He has a good life - at least until his thrill-seeking wife suffers a serious head injury during a powerboat race, placing her in a deep coma. Matt's orderly life is no more. He must not only deal with the fact that he may never speak with his wife again, he must also learn an entirely new way of life - one with a domestic tinge. As wife Elizabeth's condition deteriorates, Matt must also deal with family and friends and open doors he never knew existed. All right, that's sort of cryptic, so let me give you this tidbit that is in no way a secret in the plot - Elizabeth, Matt shortly discovers, was having an affair at the time of her accident. On top of all of that stress and drama, Matt is the sole trustee of a huge plot of land that has been a part of his family for a very, very long time. He and his cousins have decided to field offers for the land, because the trust becomes dissolved in seven short years. Should they sell to the highest bidder or to a local businessman? Either outcome would leave all of them very rich indeed. The sale of the land will make a huge impact on the island, as it could transform what many see as a beautiful, nearly untouched mark of beauty into a symbol of avarice and decadence. The core of the entire story is Clooney's unbelievably terrific performance; he is vulnerable, strong, confused, decisive, anguished, angry. It's not every actor who can pull off such a wide range of expression, and Clooney is so effective in this movie that you sincerely feel as if you are standing directly in his shoes, seeing all from his perspective rather than just through his eyes. To say that Clooney's Matt is troubled is an understatement, but what makes this performance so remarkable to me is that at no time does he have all of the answers, and at no time does he have no answers at all. He is, to put it another way, us. The tremendous amount of pressure under which Matt finds himself is exacerbated by his daughters' behavior; partly their reaction to their mother's plight but also because, well, they're precocious and self- absorbed, as most kids are when they're teens or preteens. Add in Matt's cluelessness about how to take care of girls; then you have a real recipe for a wacky sitcom, don't you? Only here it's as real as it gets. First there's 10 year old Scotti (newcomer Amara Miller), who acts out in class - including bringing in pictures of her comatose mother for show and tell. Scotti seems like a girl who just hasn't had enough of a male influence in her short life; you get the impression that Mom was the one who took care of the kids while Dad worked and worked. As a result, Scotti is combining typical rebellious behavior with confusion on how she should feel about her mother's being in a coma. Then there's Alexandra, currently away at boarding school; for her, you get the clear impression that she's a real problem child who's used to being shunted from school to school, like a queen of diamonds in a marked-up deck. She's away when the accident occurs; Matt retrieves her (discovering she's as wild as always) and necessarily leans on her to help him deal with his various problems. Rest assured, there are moments that will jerk tears from you. However, director Alexander Payne does an amazing job of keeping everything level. This isn't a four-hankie movie, because life isn't a four-hankie movie. Life has its terrible moments and its joyous ones, too, and this film emulates that layer of authenticity to really deliver an emotionally powerful, provocative, and endearing story. This isn't a movie you can just grab the kids and some popcorn and be lightly entertained, but it's also not a Think Hard movie. It's somewhere in the middle - again, much like life. Payne and cowriters Nat Faxon and Jim Rash allow us to become psychologically engaged with everything concerning Matt and his family. We're with him so much that when he makes a blunder, we think to ourselves that we'd probably make the same blunder. It's a pleasure to see a movie in which the protagonist clearly doesn't have all of the answers, even to the easy questions, but has some answers to the hard ones. And that's why this is a hard movie to pigeonhole, and it's also why it's such a beautiful, artful film.
The Descendants is an outstanding and touching drama
The Descendants is a tragic and heartfelt family drama set against a backdrop of the sights and sounds of modern Hawaii. The music is wonderful, and the scenery of several Hawaiian islands is amazing. George Clooney is outstanding as the father of a family torn apart by tragedy. His character deals with unsettling secrets of his dying wife and his broken relationships with his two troubled daughters. Forced to deal with the consequences of neglecting his family, Clooney does a great job capturing conflicting and powerful emotions. Shailone Woodley does a wonderful job as the rebellious older daughter, who captures the anger and hurt of a teenager betrayed by her mother and abandoned by her father. Her relationship with her father is the heart of the movie, and they slowly learn to rely on each other for support and strength in dealing with the loss of their mother/wife. The film has a wonderful supporting cast that adds humanity and heart to the tragic story. Nick Krause stands out as the oldest daughter's friend, who adds a touch of laughter and perspective to the film. His open and carefree personality grates on the characters initially but helps them to eventually gain perspective on the tragic events. Overall, the Descendants was an excellent movie that captures the raw emotions of a family dealing with betrayal, pain, and loss and learning to draw together for love and support.
Was honestly expecting more
This is a great movie, no doubt about it. But given the combination of golden globe, Oscar buzz and positive feedback on IMDb, I expected much more. The story and the premise of the movie is perfect. In fact, the tagline caught my attention enormously: "trying to reconnect with daughters." That is exactly the type of movie I like. Instantly, I could tell this was a movie about character development and human connection, usually the type of movies with the greatest potential. Unfortunately, it was merely decent, but not special. It felt like the movie built up so much potential, but failed to release it at a certain point during the movie. The whole movie, for me, felt too introductory in nature. Not necessarily the plot, because the plot does evolve, but the overall "feel" of the movie felt preliminary to a bigger and more dramatic event which never happened. It's not easy to explain my feelings towards the movie because the fault wasn't necessarily technical or specific. But it did linger around and distracted my viewing somewhat. I felt like there was still more to explore in both Clooney's character and the character of his daughters. Also, I think this element alone impacted on Clooney's performance. His performance was good, definitely, but again, because I felt like there was more to be explored, naturally, I also felt like his performance could have been added to (but not necessarily improved). Given the Oscar buzz of this movie, I have to compare it to other movies of a similar nature. And unfortunately, I didn't feel like there was sufficient connection between the characters...although the potential to reach that connection was established, it was not acted upon in my opinion. Unfortunately I have to say there have been better developed "re-establishing connection" movies. In summary, this is an enjoyable movie, but it is missing some important elements which deteriorates the viewing experience to some extent.
From a person who's lived through it....
This movie is one of the best movies I've seen in a while, and that's judging it from what it is. I became a fan of A P after watching Sideways and ended up reading the book before watching the movie. I think the biggest problem people have with this movie is that it's not the typical "HOLLYWOOD" movie that forces "emotion" down our throat nor is it the typical "INDIE" film with shaky cameras, far out one shots and so on. It's simple, a bit plain, and raw. We're presented with characters that may not seem interesting at first look, but when it comes down to it, AP has once again showed us a reflection of ourselves and people we know around us. We're normal. We're not all flashy people with cool lives and have interesting personalities. Some people just ARE and live that way. I recently lost the person who would have been my mother in law. I'm twenty four, and my girlfriend is twenty two, and her little sister is fourteen. My girlfriend has recently taken custody over her sister, and with their father passing away before the little sister was born, I've found myself in a bit of a father role and it's scary and new and very strange at times. I completely related to Clooney's character right away, and could feel the frustration he felt, and the emotions he felt. I think he did well with dealing with them. It felt real to me. In fact, everyone's emotions toward the tragedy the film presents felt very real. I saw those same reactions from sisters, aunties, uncles, grandfathers and grandmothers. Some blamed others while others completely lost it. Some felt mad, while others just cried and broke down. Some were oblivious to the news(like the grand mother in the movie) while others were simply there to comfort(Sid). I really appreciated the entire movie, scenery, and dialogue(and at times lack there of). I really enjoyed the frustration they felt one minute, the humor the next, and the forgetfulness of the tragedy at times. It was like seeing a movie based on what my girlfriend and I were going through, and it felt comforting that someone had captured that so well. Not every tragedy will be filled with a room full of criers. Some might. Not all we be filled with humor and relief. Some will. For us, it was everything. It didn't seem real, and at times, it seemed dull. This movie has a special way of presenting itself in that manner and I really liked it. I'm sure not everyone will like. Either they're use to super hero action movies, horror movies, or stuff like Twilight. Maybe you are into good dramas and indie flicks and for whatever reason you didn't connect with that one. For me, a person who's just lived through it and am discovering to be a dad type to someone I'm still getting to know it was simple, perfect. 10/10
A movie that you do NOT want to end...
The director of this movie, Alexander Payne, was the guy who made "Sideways." This is a very different movie in that it focuses on family relationships rather than those between friends and lovers. But, Payne displays--in this touching and very real movie--the same incredible talent for doing two things better than almost every other movie maker (at least as far as I'm concerned): 1) he brings the viewer into the geography and milieu of the time and place in a gritty way that clearly presents the natural beauty of the area without over-romanticizing it and 2) he fits the characters into this environment and achieves a reality for these people that transcends the 2-dimensional characters that populate the multiplexes. You really care about these people. Another similarity between the characters in "Sideways" and this movie is that the protagonists are, in at least one important way, lost. They both are also honest with themselves. And thank God Payne did not use an orchestra for the soundtrack that would foreshadow and punctuate the scenes telling us how our emotions should run...I will not tell you what the soundtrack is, other than to say it's perfect. This is not a comedy though there are a few laugh lines. Clooney will get the Oscar for this...how can he not? He is in every scene, and I cannot imagine him being better. And Shailene Woodley plays his older daughter: just amazing. A beautifully realized character. I tried carefully here to give nothing away but to encourage you to see this as soon as you can. Brilliant.