SYNOPSICS
Sintel (2010) is a English movie. Colin Levy has directed this movie. Halina Reijn,Thom Hoffman are the starring of this movie. It was released in 2010. Sintel (2010) is considered one of the best Animation,Short,Fantasy movie in India and around the world.
A girl named Sintel searches for a baby dragon she calls Scales. A flashback reveals that Sintel found Scales with its wing injured and helped care for it, forming a close bond with it. By the time its wing recovered and it was able to fly, Scales was caught by an adult dragon. Sintel has since embarked on a quest to rescue Scales, fending off beasts and warriors along the way. She eventually comes across a cave housing an adult and baby dragon, the latter of which she believes to be Scales. The adult dragon discovers and attacks Sintel, but hesitates to kill her. Sintel slays the dragon, only to recognize the scar on its wing and realize the dragon is an adult Scales, and that she too has aged considerably. Sintel leaves the cave heartbroken, unknowingly followed by Scales's baby.
Sintel (2010) Reviews
Dark, but stunning fantasy-short
Third short film by the Amsterdam-based Blender Foundation. Sintel is partly meant to promote the open source animation software Blender and to be used for demo-purposes (3d, 4k)by it's sponsors. But it's far more than a very crafty demo. Script and storyline are clearly worked out on a elaborate scale, comprising three different levels. One might see it as a fantasy-action movie, but it also packs a coming-of-age sideline and a sobering life-lesson. Loner Sintel (Dutch for Cinder)befriends a baby dragon an nurtures it, until it's snatched from her in a dramatic scene. The quest to find the dragon is somewhat rushed in a montage and throughout the movie some movement seems unnatural, but the amount of detail in props and background is amazing. Double so, because this was made by just 14 animators, script editor, technician and director (and numerous members of the Blender community who made props and scenes online) in just over a year, at a total cost of 400.000 euro.
A Powerful and Tragic Masterpiece
This is a beautifully animated and skillfully executed tragic story. It hits all the key points of a classic tragedy in a way worthy of history's greatest playwrights. It has the "hero" who is good and decent but is brought down by her ambition and human frailty. It has the "reversal" when the fortune of finding her companion and overcoming the attacking dragon becomes the realization that the two are the same. This turns into the "recognition" that she has wasted her life on a quest with a flawed premise. At that moment, many things come together. She realizes how much time has passed. She finally understands the true relationship between Scales and herself. Scales moved on long ago, and what was left, what was driving her search, was her own obsession and delusion. She now sees herself for the battle-scarred killer she has become. Her quest has stolen her innocence and now, by her own hand, taken the life of the one she treasured most. The fact that the movie hits all these elements so potently in only 12 minutes is amazing. The more I watch it, the more I appreciate how well everything fits together. The foreshadowing, symbolism, and other elements throughout the movie give it a depth much greater than its length. Things that might not seem significant at first play important roles in the story. For example, Sintel appears to be an orphan, which could be seen as arbitrary back-story. However, this helps explain why she becomes so blinded to reality once Scales is taken. Scales is the only friend she has ever known, and the loss tears her apart. This powerful storytelling is then backed by animation that suits it wonderfully. There are imperfections, but the many things that are done incredibly well far outweigh any flaws. From the sense of wonder in racing up the temple, to the epic scale of Sintel's journey, to the expressions in Scales' face... it all works beautifully to magnify the story. The climax in particular pulls together story, visuals, sound and timing in a way that even the best feature films rarely achieve. I'm tempted to expound on every finely crafted detail, but it is best to just let you watch it and appreciate it yourself. To top everything off, this film is released freely under the Creative Commons license by the Blender Foundation, which also freely releases the open-source 3D modeling tool Blender used to make the movie. This means everything-- the movie, the models, the textures, the software-- EVERYTHING is freely available for anyone to use or change. That's a far cry from most movie releases that want it to be a crime to even rip your own DVD onto your computer/phone/etc. The Blender Foundation creates this and other short films to prove and improve the quality of their free 3D software, but they have done so much more here. This movie is a gift and a masterpiece.
A magnificent short animation
I have to admit this short animation is really great, i do enjoy from the first second till last, everything is perfect, great plot & great music ( well there is of course imperfection with some movement of character if you compare it to a high budge 3d animation movie, but i will still call this perfect ) especially the last song of their soundtrack "I move on", i would like to see the movie version of this because 15 minutes is to short i want to see some more!!! Moving on, bravery and friendship is the main morality message in the movie, they try to give you a lesson with an usual way to help you to let go your past, i found this movie is very motivating also,if you need quick boosting to be inspired or when you feel down then this could be a great remedies. Also this short movie is great for every age, children to adult i guarantee you will enjoy it.
Remarkable!
To imagine that all of this was created from scratch is remarkable. The score was very well done as was the foley. Halina really came through and I was so impressed, I had to find out who she was. Amazing to shine as an actor through a 3D animation. She did it! For the filmmakers and artist to take this on and to get it done for future artist is admirable. It gives hope to other artist and filmmakers. I would not recommend the film to children but maybe the filmmakers will do another film just for them. I hope they do. The director's attention to detail was also noted. Great job!
Stands for a great principle but is also a very strong and emotional short film in its own right
I watched this film for the first time today and it was not by chance. I knew of this film as I have seen some other films made using the open source Blender software and I was aware that this film was not only made using that tool but that the whole film is open to be used and changed by anyone who wishes to do so. The irony of this is that currently the film has been removed by YouTube due to a copyright claim by Sony that the film somehow violates their property, a situation that tells me Sony used part of the film (music or otherwise) and are now claiming it as their own, thus entirely missing the point of what this film and others like it are trying to do. Hopefully this will be resolved although it is depressing to see that even the suggestion of infraction from a corporation sees the project removed. Anyway, in terms of the film itself, away from such controversy, the narrative sees a young woman travelling alone deep into the mountain and into danger. An encounter with a bandit leaves her injured but rescued by an old man, to whom she relates the reason for her journey – a journey which begins with her finding an injured baby dragon some time before. The headlines all relate to the technical aspects of this film so it is worth saying that the narrative engages too. It is a solid tale that draws you in but is built on darkness. It is a combination that doesn't totally work and although I applaud the ending for going in the direction it did, it is brutally harsh just to drop that on a viewer. Technically the film is very well made, the animation is great and it is hard to believe that it was made outside of a large studio – not only is this cheering but it actually works and looks great throughout. Sintel represents another step forward in the idea of the creative commons being a positive and collaborative idea and Blender in particular being something about moving forward; however this is not to say that this is where its value comes from because really the short stands up on its own, looking great and having a brutal but memorably brave narrative too. If there was ever a greater example of the need to support such projects, it is the fact that Sony have challenged it for taking their property.