SYNOPSICS
Provoked: A True Story (2006) is a English,Punjabi movie. Jag Mundhra has directed this movie. Aishwarya Rai Bachchan,Miranda Richardson,Naveen Andrews,Ray Panthaki are the starring of this movie. It was released in 2006. Provoked: A True Story (2006) is considered one of the best Biography,Crime,Drama movie in India and around the world.
Provoked is the true story of Kiranjit Ahluwalia, a Punjabi woman who moved to London after her marriage with Deepak Ahluwalia. Her husband seemed caring at first but then began to beat her up. He started drinking a lot and sleeping around with other women. he also subjected her to spousal rape. After ten years and having two children with him, out of fear, she sets him on fire while he is sleeping, two hours after another scene of domestic violence. He succumbs to the injuries ans she is sentenced to prison for life for premeditated murder. However the Southall Black Sisters, an NGO which fights against domestic violence helps her get justice. And after spending 3 1/2 years in jail, she is set free and reunited with her two children.
Provoked: A True Story (2006) Trailers
Provoked: A True Story (2006) Reviews
Aishwarya Rai .......... Not Just a Pretty Face
I saw Provoked at a packed screening at the Tongues on Fire Film Festival in Mid-March. I must say I was pleasantly surprised how good both Ms. Rai and the film were. This may in no small way be due to the Director Jag Mundhra who should be pleased with the finished film. Watching the film it kinda struck me that its the kind of film that seems to have gone out of fashion. An intelligent entertaining (that might be the incorrect word in view of the subject matter) issue film that doesn't patronise its audience. This is easily Aishwarya Rai best Western/English Language film to date and could mark the start of an interesting phase in her career. Cast, to my mind against type, she plays Kiranjit Ahluwalia a battered Housewife who after years of Physical, Mental & Sexual abuse kills her husband by setting fire to him while he sleeps. Kiranjit would later be jailed for life for murder and then successfully appeal the decision and in doing so change English Criminal Law. I must say that Aishwarya really did show there's more to her than her looks. If you've seen her other English Languauge films this is a complete step up performance wise. Especially, when you ask yourself who would you get to play an Indian Battered wife, I'm sure like me you wouldn't have cast Ms. Rai in a Million years, based on seeing "Mistress of Spices" & "Bride and Prejudice" respectively. Aishwarya gives a really good performance, she managing to convey the fact that she (Kiranjit) is supposed to be a good wife & mother so if her husband abuses her if must be her fault. But Ms. Rai is really at her best when she has killed her husband and is in something of a daze with the whole enormity of the situation. She really manages to have you believing this is how the real Kiranjit acted. An important subject handled intelligently, I can't recommend this film highly enough.
A Nutshell Review: Provoked
There were two reasons why I had decided to catch this film, and they are the beautiful Aishwarya Rai and composer extraordinaire A. R. Rahman. Provoked is based on the true story of Kiranjit Ahluwalia, whose autobiographical book "Circle of Light" forms the basis of this movie. However, its textbook delivery style resulted in a film that's quite plain, despite its powerful potential in examining domestic violence against women. Rai plays the protagonist Kiranjit, a Punjabi woman instructed by culture and social norms to be the dutiful wife to Deepak Ahluwalia (Naveen Andrews), who whisks her off to London. Kiranjit doesn't know what she's in for as it's an arranged marriage, and soon enough the true colours of her spouse start to show - the drinking, the womanizing, and the verbal, physical, emotional abuses. For 10 years she tolerated and suffered, until one night she snapped and gave her husband his just desserts. We're talking about the law here, and so she gets sent to the slammer. Then on it's split down a few paths. Along one path, iIt's like Prison on Fire, where glimpses of the harsh realities of the world inside with criminals start to harden Kiranjit to fend for herself, along with the making of new friends and "sisters". On another path, the courtroom drama which was pivotal, given that it's a landmark case which debated upon the fine definition of provocation, somehow got delivered quite blandly, no doubt because attention was drawn toward the very British courtroom with its wigs and polite legal language. And finally, the path of melodrama and flashbacks, used ad nauseam here in telling the abuse that Kiranjit had to endure. I'm gonna be biased here to say that Aishwarya Rai's performance is probably the best thing in the movie. As in Mistress of Spice, those eyes can speak a thousand words with just a flicker, a movement, or a blink. And she can do unglam too, sans thick makeup and making prison garb fashionable. As an abused woman, you can't help but feel sorry for her, and very much root for her to get herself out of her plight, using whatever means possible. Nothing too breakthrough, but she's as effective as can be. Unfortunately, bad acting plagued most of the supporting cast. Naveen Andrews as the husband Deepak only managed to look snarling, but is never menacing enough, and the rest seemed to have been sleepwalking, in part being let down by the lack of meat in these roles, being in true one dimensional fashion. Only Miranda Richardson's fellow jailbird and cellmate Veronica Scott offered some balance in the acting department opposite Rai. Veteran director Jag Muhdhra seemed to have a bad outing trying to polish the film into the gem it should be, and certain scenes were badly edited that they seemed to be pasted side by side without much thought to gel them together smoothly. It seemed to have dwelled too much in the beginning, and felt hurried toward the end. It also lacked details of the rationale, and failed to pound deeper into the heart of the subject. Rather, what we got was a brief introduction and explanation of the topic, followed by a very quick, superficial resolution, leaving us wanting more. A. R. Rahman's score seemed to have disappeared into the background at times, though when it's on, you can always ensure a treat for the ears. Perhaps that's the point, of enticing the audience to pick up the book to read first hand the plight of someone being abused, and the challenges faced in being a mother from within a cell, battling innate customs and expectations to come out from within a shell and into the open, not only to try and save oneself, but to be a beacon of hope for many others in the same boat. Straight to the point, no frills storytelling, recommended for the curious and for those who want a launching point into a hot subject of abusive relationships.
see it to learn about atrocities that can happen to a woman
The movie is based on a true story which was the first reason i saw this film. Aishwarya Rai has performed well in the role of Kiran. The story educates one of the atrocities that can happen to a woman and her fight to claim the justice that is initially denied to her cause she was ashamed to discuss the abuse that she suffered. The movie looks like a low budget movie and the screenplay or the camera-work may not fascinate you. The movie is based on facts and stays true to its original content. See the movie for its content and the message it wants to convey to the society.
lots of potential that wasn't met
this movie had a heap of potential...that wasn't met. the story in its self is a seller but its execution was pathetic. instead of feeling sorry for kiran and considering her actions revoulutionary i walked out thinking that this movie was promoting murder over telling someone e.g. police. i feel this may have had o do with the fact that ash as pretty as she is isn't capable of getting in the skin of a character and making you feel with the character. i walked out considering kiran a weak woman when she probably wasn't in reality. kiran was a Punjabi girl and she was going to be a lawyer, she was obviously educated and intelligent so why portray her as so backward ?? only one scene really portrayed the kind of person kiran was (the scene before he threw her down the stairs) she told him what she felt. the personality of that scene should have been carried through the entire movie...but it wasn't. 5/10 purely for the story & the little effort
Jagmohan's Masterpiece with Ash at her very best !!!
This movie based on true story grips you from the very beginning and though there are enough light moments even in Jail, it just doesn't let go anytime.... By now, everyone knows the story is that of a woman stuck in an abusive marriage finds her freedom in jail after killing her husband... Every technical aspect of the movie- editing, camera, sound, music- is real class... Ash of course lives the role and each and every frame she is a delight to watch...very expressive face and eyes used wonderfully- thanks to the director too I suppose...Nandita Das doesn't act too smart., Mirinda Richardson, both the lawyers are all excellent in their roles...even side stories in prison are very well done indeed... as the summary says it all, miss it at your own risk !!!