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Night School (1981)

Night School (1981)

GENRESHorror,Mystery,Thriller
LANGEnglish
ACTOR
Leonard MannRachel WardDrew SnyderJoseph R. Sicari
DIRECTOR
Ken Hughes

SYNOPSICS

Night School (1981) is a English movie. Ken Hughes has directed this movie. Leonard Mann,Rachel Ward,Drew Snyder,Joseph R. Sicari are the starring of this movie. It was released in 1981. Night School (1981) is considered one of the best Horror,Mystery,Thriller movie in India and around the world.

A Boston police detective investigates a series of gruesome decapitations of various college coeds commited by a helmeted, black-leather clad serial killer which leads him to suspect a well known anthropology professor as well as his female live-in assistant.

Night School (1981) Reviews

  • Early 80's Slasher Makes the Grade

    slasherstudios2011-12-07

    Anne Barron (Meb Boden) is a teacher's aide at the Jack-N-Jill Daycare Center in Boston. It's the early evening and the last child has been picked up by her mother. Anne is relaxing on the playground carousel when someone pulls up on a motorcycle, wearing a pink helmet. Anne is startled. Suddenly the stranger pulls out a machete and starts spinning the carousel. The machete is held up in the air and the terrified woman goes around and around - until she's struck with it. Judd Austin (Leonard Mann) is the cop assigned to the case. He is called to the scene and when he gets there, he sees a gruesome sight. The girl was decapitated and her head was put in a bucket of water nearby. The distraught director of the center tells the officer that Anne worked there during the day - and was attending night classes at Wendell College. At the hospital, Judd and his partner Taj (Joseph R. Sicari) discuss a similar case from the previous week. Another girl was found decapitated and her head was dumped in a pond. They wonder if there's any connection between the two murders. "Night School" is a typical run-of-the-mill early 80's whodunit slasher with a decapitation twist. This is the kind of movie where half of the money is trying to figure out where the detectives are going to find the missing heads. The twist ending is pretty predictable and the acting is a bit wooden (Rachel Ward, in her film debut, is all sorts of terrible here) but the film is never boring and has been directed with style. Boston looks positively wretched on film here and it gives the slasher a bit of a grungy "Departed" vibe. Overall, it's definitely worth checking out, just check your expectations-and your head--at the door.

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  • Excellent American giallo

    carolinephillips-474272017-03-12

    Night School is an excellent, stylish American giallo with terrific set pieces and great use of Boston locations. Several coeds are being murdered with their severed heads found in submerged in water and the detectives believe a sleazy professor is behind it. Add in a jealous lover, a predatory lesbian headmistress, and a whole lot of slashing and we have ourselves a grand ol' time. Night School might just be a perfect mix of sleaze and class. It's hard to believe the same man made Chitty Chitty Bang Bang. Brad Fidel's spooky, somber score sets the mood perfectly and helps it stand out among the pack.

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  • Rachel Ward's Bottom in American giallo

    chrichtonsworld2012-04-05

    An excellent slasher/whodunnit you might not have heard about.Brutal killings,attractive women.attractive men,big knife,Freudian Symbolism,shower scene and red herrings.Even a surprise ending,although one that is a bit out of place especially compared to the rest of the movie.It's all there.So how come Night School isn't a more popular title? Your guess is as good as mine. But it could be that it has to do with the relatively late release on DVD. The pacing is a little uneven at times which does hurt the tension slightly. And the ending could be considered unsatisfying.It's one you will see coming and at the same time not at all. Very inventive I have to say although like I said earlier a bit out of tune with the movie overall. Honestly,I had fun watching since it does most things right.And to see Rachel Ward's bottom in all it's glory can't be that bad,now is it?

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  • Serial dekapitator.

    HumanoidOfFlesh2010-09-04

    A killer in a motorcycle helmet is decapitating attractive babes attend a night school class taught by an anthropology professor.It all has to do with some head-hunting rituals from Papua New Guinea.Very enjoyable cop drama/slasher with some elements of giallo.There is a truly sensual shower scene with a a ravishingly beautiful Rachel Ward and three decapitated heads of victims are found in various strange places including an aquarium.The killings are mostly off-screen and there is a bit of sleaze.The melodically creepy piano based score by Brad Fiedel of "Just Before Dawn" is truly effective.If you enjoyed "What Have You Done to Your Daughters" give "Night School" a chance.It truly is one of the slashers that resembles the Italian giallo that inspired the genre in the first place.8 out of 10.

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  • "There's always a reason"

    lost-in-limbo2010-10-09

    Probably best recognised for being the debut feature for of the ravishing British actress Rachel Ward, but "Night School" deserves a little more credit for that lone reason. I wasn't expecting it be as good it was, but while it's your by-the-numbers mystery psycho slasher it managed to resourcefully up the suspense and intrigue in some well presented set-pieces. The usual revelation behind it all doesn't come as much as a surprise (where we seem to be quite ahead of the clueless detective/s scratching their heads), along with the second twist (which is even more foreseeable), but then it ends with a neat final one which seems to be a mock send-up of the typical shock closing. "Don't you ever take your job seriously". I'm kind of surprised by its middling to poor reputation, as I found it more than competent than its 80s crop. Good atmospheric, authentic locations are masterfully framed by cinematographer Mark Irwin. His expressively flowing camera stages some inventive frames and effectively helps building up the tension before the initial shock. He films the ominous looking killer (decked in black leather and bike helmet) quite well. Director Ken Hughes' slick touch lets it flow, nailing the terrorising tension with a real sting to its tail. Hughes style kind of reminded me off Hitchcock, but the modern unpleasantness is evident (slicing and dicing with ritual decapitation on mind, but little is seen) and lurking within is a sneering sleazy undertone. The black and white story remains interesting, due to the solid performances (Leonard Mann, Drew Snyder, Rachel Ward and an amusing Joseph R. Sicari) and particularly sharp script. Brad Fiedel composes the score in an understated manner, but it eerily works. A modest psycho slasher offering.

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