SYNOPSICS
Filth and Wisdom (2008) is a English,Russian,Hindi movie. Madonna has directed this movie. Eugene Hutz,Holly Weston,Vicky McClure,Richard E. Grant are the starring of this movie. It was released in 2008. Filth and Wisdom (2008) is considered one of the best Comedy,Drama,Music,Romance movie in India and around the world.
In London, A.K. is a Ukrainian Gypsy, seeking fame as a rocker, doing odd jobs: he's a dom, drives a hack, and runs errands for his neighbor, a poet full of self pity since going blind. A.K's flatmates are Holly, a ballerina who becomes a reluctant stripper in need of coaching, and Juliette, a pill-popping assistant at a pharmacy run by an Indian tired of his marriage. Juliette, estranged from her family, dreams of helping the poor children of Africa; A.K. has a crush on Holly; Juliette's boss lusts after her. Her hapless sister calls from time to time. The poet despairs. Is there a route from filth to wisdom for these souls? Can they find fun and fulfillment? A.K. provides philosophical comment.
Filth and Wisdom (2008) Trailers
Filth and Wisdom (2008) Reviews
Don't Particularly Like Madonna...But This Film? Certainly Different, Entertaining & Quite Under-Rated!
........................................................from Pasto,Colombia...Via: L.A. CA., CALI, Colombia...and ORLANDO, FL Here's something we can ALL add to our own personal laundry list of labels/notions/concepts we ALL harbor about Madonna: She is a helluva lot better director than she is actor! Of course, maybe that's not really saying much, so make that: "Light Years Better Director Than ACTOR!" Madonna has been constantly re-inventing herself for over 25 years. That's what she does. This is, by far, her most surprising, most interesting and most promising re-invention to date. She is credited as Director, Co-Writer and Executive Producer. Who else but Madonna would come up with a Title like FILTH and WISDOM? This is her baby. She has a lot invested in WISDOM receiving, at the very least, a modicum of both commercial and critical success. Quite frankly, I think it would be well-deserved! Madonna is both a micro-manager and a perfectionist. It's easy to see both of these traits reflected in the final cut of WISDOM. The overlay of the music tracks with the visuals is truly inspired and borders on pure genius! Perhaps this aspect was just a tad too In-Your-Face!, but knowing Madonna and her excesses, I would say some of them were rather low-key, considering their origin. Madonna has populated her film with a cast of starkly contrasting, singularly unique, true to life, rather dark and believable characters. Eugene Hutz is nothing short of phenomenal is his intricate and amazing characterization of the dominatrix by day-Ukranian folk/punk fusion band leader by night! The most shocking aspect of FILTH and WISDOM? Surprisingly, perhaps just the title! In retrospect, maybe a bad choice, considering it might scare off a lot of potential viewers who otherwise would have enjoyed its relatively inoffensive and aesthetically pleasing rendition. There is no escaping this fact: Considering WISDOM is a first effort, we must give credit where credit is due and say that, all considered, the Material Girl has turned in a rather surprising and oddly entertaining piece of work! 8*....ENJOY/DISFRUTELA! Any comments, questions or observations, in English or Español, are most welcome!
Better than you think
I saw this movie yesterday at the Berlinale. Going into the theater I thought it might be a dreadful film (after all there were some terrible comments running the net...) I must say though after just a ten minutes the film had gotten to me. It is funny and has quite a pace to it. Getting to know the different characters did not seem to be "set up" as it happens to be in quite a few movies. Despite the obvious humor the movie contains a lot to think about and even more to remember. I really would advice anyone to go and watch the movie as it is one of a kind. Just go in expecting nothing and you will receive everything...
Madonna fails again at her big screen ambitions
As a director Madonna's understanding of subtlety and nuance is akin to a stiff punch to the gut. She doesn't get it at all. Incomprehensible at times and pretentious in others, there isn't that much reason to watch it. I skipped some of the more arduous scenes that were hard to get through. Doing this made the movie easier to watch. The immigrant storyline which takes place in London is mildly interesting. The problem is that Madonna doesn't know how to bring her ideas and observations together in a way that makes enough sense. This lack if comprehension for the story she is trying to tell coupled with her inexperience as a director leads to on screen confusion and annoyance.
Witless, pretentious, bowel brained
Jesus wept. I wish that was all I could say about this blundering, self-indulgent idiot of a movie. I am still reeling from the public humiliation meted out to Eugene Hutz and Richard E Grant in this, as another commenter so aptly described it, car-crash of a movie. The script they were handed and the movie they ended up embroiled in was the equivalent of them being packed into a bright pink Lada, tweaked up to the gills on meth and viagra, naked, before being forcibly driven at top speed into an oncoming bus-load of school children, with a haul of child porn sitting conspicuously on the back seat. Madonna's unmistakable, drooling brand of pretentiousness is smeared all over this particular steaming pile of waste. Although pretentiousness might be a bit generous, as that would suggest at least an entry level modicum of intellect with which she had to work with; this is unadulterated idiocy. Watching this movie I was constantly reminded of that scene from A Fish Called Wanda where Klein, after being accused of being stupid, responds indignantly 'Do stupid people read Russian philosophy?'. Curtis' answer kept running laps around my attention span: 'Yes, they do, they just don't understand it.' This sums up the driving force behind the pretentious, empty-headed fumbles this movie attempts to make in an effort to inject it with some kind of profundity, the like of which will no doubt appeal to people who have never experimented with thinking before, but alas will leave anybody who can spell the word 'wheelbarrow' without spell check smacking their heads off the nearest hard surface with contempt for the foolishness being hurled in steaming handfuls at their functioning brains. They spray-painted Richard E Grant's hair gray for crying out loud. Not content with humiliating the man through the woeful string of drivel that was disingenuously entitled a script, they physically marked the man's person to make him look as foolish as the movie itself. There should be some kind of association for prevention of cruelty to actors set up if you ask me, Madonna would surely get the chair for what she did to Hutz and Grant. For shame... I've given this movie 1 point because I like Hutz and Grant, 1 point because I like Gogol Bordello who provide much of the music and style evident in the movie, and I would give it another point for the car-crash quality that kept me glued to it in disbelief, reveling perversely in how progressively terrible it kept getting by the second. It's that kind of morbid fascination you get if you smell a really bad fart, disgusting, repulsive, but morbidly fascinating that it can actually be that bad and actually be getting more repellent. But since there are clearly people commenting here who insist on over-rating this nonsense, waste-of-time testament to Madonna's failed education, I will withhold that third point. If you like Grant or Hutz, avoid this movie at all costs; it's like watching them ritually humiliated by an idiot in the crudest and most unfortunate of fashions for a length of time that could qualify for a human rights violation. You will weep for them. I wouldn't be surprised if Guy Richie decided to distance himself from his missus on the strength of having seen this movie alone.
Good movie, very underrated! See it for yourself!
I really liked the film. I admit I almost didn't go to see it because of all the bad press, but Im happy I did. And for those who haven't seen it and consider not to based on all the criticism, you really should go and see it for yourself. I wonder what these critics were really expecting? Something a little more Hollywood? And what do you consider to be a "good" movie, if you don't seem to like this one very much? I found the movie to be very honest. The only part I wasn't so convinced of was the the blind guy, his facial expressions didn't match the character, I think he smiled too much. But other than that, where is the problem? Have any of you ever worked as a Dominatrix or known any sex workers? Or professional dancers who turned to working at a strip club to earn a living? You say "cliché" but often clichés/stereotypes exist for a reason, because actual human beings (re)act in certain ways in certain situations. I think Madonna should feel proud of her work here! It was inspiring in its way, regardless of what some might say.