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El cadáver de Anna Fritz (2015)

GENRESDrama,Thriller
LANGSpanish
ACTOR
Alba RibasCristian ValenciaAlbert CarbóBernat Saumell
DIRECTOR
Hèctor Hernández Vicens

SYNOPSICS

El cadáver de Anna Fritz (2015) is a Spanish movie. Hèctor Hernández Vicens has directed this movie. Alba Ribas,Cristian Valencia,Albert Carbó,Bernat Saumell are the starring of this movie. It was released in 2015. El cadáver de Anna Fritz (2015) is considered one of the best Drama,Thriller movie in India and around the world.

Sadly, Anna Fritz, the famous young actress and fan of fast cars, has died inexplicably at a private party. With the news of Anna's death spreading like wildfire, fans and followers from around Spain try desperately to find out the name of the hospital where the autopsy will take place; nevertheless, in vain. However, when a hospital orderly working the night shift leaks photos of the deceased woman to his best friends, an invisible invitation for a quick look will attract both friends and perverts. Now, what happens next, is anyone's guess.

El cadáver de Anna Fritz (2015) Reviews

  • Simple yet effective

    jtindahouse2016-02-20

    For some reason it seems the only foreign films I ever end up watching are gruesome and disturbing horror films that put me off ever going to the country they're based in again. 'The Human Centipede' and 'A Serbian Film' are the first two that come to mind and while 'The Corpse of Anna Fritz' never lives up to the vile things I witnessed in either of those movies, it still deals with a sickening subject matter and is an uncomfortable watch at times. I wasn't exactly sure where they were going to go with the film after everything promised in the synopsis had happened in the first 10 minutes. Then along came a very disturbing and well directed scene (which I won't spoil for you) that changed everything. From there it becomes a pretty tense and effective little thriller where you are never quite sure what is going to happen next. I would describe it as a lonely film, there aren't a lot of characters or even extras at any stage. The acting I would have to say was quite impressive from all involved and all in all I'd describe it as a very watchable little flick. Give it a look if you happen upon a copy of it.

  • Sufficiently entertaining midnight movie that misses great opportunities

    alwayshungryy2015-10-08

    Anna Fritz (Alba Ribas) is not a human being. In the public eye, she's a celebrity, a religion, an object. "The Corpse of Anna Fritz" makes this clear in its opening scene. As we see her lifeless corpse being moved to the morgue, voice-overs of people on the news are heard. They discuss her impressive career, shower her with compliments on her looks, and gush over how perfect a human being she is. This makes what follows all the more interesting. Three friends end up in the morgue, alone with her corpse. Though there are brief and glossed over moments of ethical struggle before things get down and dirty, the characters are one-dimensional and serve a distinct purpose in the story. There's the moral compass, the antagonist and the spineless coward. While certain moments could have been more tastefully done, the film does raise questions on whether there is a grey area between right and wrong. In the hands of another team, this could have been a film further beyond our comfort zones that delved into its meaty themes of moral conflict, the ethics of necrophilia, the difference (if any) between the ownership of one's body before and after death and the repercussions of celebrity idolisation. To be fair, the film does do something different in terms of the way the story shifts focus and evolves with its turns. The acting is fine but not entirely convincing, with Ribas being the stand out. For a second I had thought that the film would end without its final twist, which was preceded by a intense escape sequence that's noteworthy. This would have been a subversive choice but would probably feel out of place given what they were going for: an entertaining, if predictable, midnight movie that's safe and thus more satisfying.

  • Dead Body Fascination

    sol-2016-01-13

    Put in charge of a female celebrity's dead body, a young morgue attendant boasts to his friends who insist in seeing the dead woman naked, and things only become more twisted as one of the friends expresses an interest in necrophilia in this independent thriller from Spain. From such a plot description alone, 'El Cadáver de Anna Fritz' might sound like a film done in incredibly bad taste, but it is rarely exploitative (only the briefest glimpses of the nude corpse are seen) and a sudden twist after eighteen minutes pulls the film in a decidedly different direction with the friends forced to make some tough moral decisions. None of the actors playing the three friends are particularly remarkable, but there are some interesting shifts in personality; most notably, the morgue attendant goes from reluctantly letting his friends in, afraid of losing his job, to giddily playing practical jokes on them. That said, Bernat Samuell has a bit of a bland character - he is pretty much the moral compass of the group throughout, but co-stars Christian Valencia and Albert Carbó undergo enough shifts in personality to keep things fresh. The plot also requires some suspension of disbelief (medically speaking in particular) but it is an engaging film through and through if one does not think about the probability of it too much. Several ideas raised by the film are fascinating, including celebrity worship and the ability of the human survival instinct to overtake rationality. Clocking in at only just over an hour in length too, the film is briskly paced and never outstays its welcome.

  • Frailty of Corpses

    chiendalou2016-03-14

    Some movies have big spoilers in their own titles, basic plots or trailers. There, you have clues of what production team want you to know. I'll try not to go further. We are introduced in the very beginning (by journalists' fragmented threads on voice-over) to Anna Fritz persona and we are get to know that she is a worshiped celebrity. Her death is where it all begins. Then we are taken to the point of view of three curious guys that want to see her for the first and last time. What I can say it's not a good idea. This movie have some violent scenes. If you are more or less sensible to 'moral terror', despite the comments of the toughest viewers, I think you will suffer. From one specific moment, the story they are about to tell us, could perfectly fit in horror genre, but it clearly follows the way to a claustrophobic crime flick. The cast is good, especially for the pretty Alba Ribas who plays Anna Fritz (in some shots she looks a little like Chloë Sevigny). The characters are made for the plot, so don't expect a great character developing (runtime being 76', it's not possible in an action centered movie). The pace is fast, and it works. No place for being bored. Give it a chance! So from now on, it seems we have more reasons to be afraid of dying!

  • Very Tense Thriller

    askeslund2016-08-09

    One of the things I really love about this film is how precisely its told. At no point did I feel that the film was dragging on, nor that it was showing me something that was unnecessary to the plot. I also loved how quickly it dealt with its exposition in the beginning of the film. A lot of directors would have spent 15 minutes or more following Anna Fritz on the red carpet, showing her fans cheering at her, and then cut to her being found dead. This film deals with all exposition within the first two minutes, leaving the viewer to only have to focus on the films tension. The Corpse of Anna Fritz really shows how you get a lot out of a small budget, and is a great example of "less is more". This film is incredibly tense, and had me on the edge of my seat throughout most of the film. This is due to a very good score, great pacing, as well as all actors performing really well, especially Alba Ribas. The visual style is really good. I really like way its lit, and the hand-held camera increased the tension, drawing me into the film. One of the most tense indie-thrillers I've seen in a long time.

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