SYNOPSICS
Chichi wo torini (2012) is a Japanese movie. Ryôta Nakano has directed this movie. Makiko Watanabe,Elisa Yanagi,Nanoka Matsubara,Ken'ichi Endô are the starring of this movie. It was released in 2012. Chichi wo torini (2012) is considered one of the best Drama movie in India and around the world.
Koharu Higashimurais a 17-year-old high school student, living in a rural town. Koharu lives with her older sister Hazuki and mother Sawa. 14 years ago, Koharu's father abandoned their family after meeting a new woman. One evening at dinner time, Sawa tells her daughters that their father has terminal cancer and they should go see him before it's too late. Sawa gives her daughters a camera and asks if they can take a picture of him, because she would like to see. Koharu and Hazuki then leave for the hospital where their father is hospitalized. While riding the train to the hospital, Koharu, who has doesn't have any memories of their father, asks Hazuki about their dad.
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Chichi wo torini (2012) Reviews
Delicate and bittersweet
CAPTURING DAD deals with an uncommon and quite difficult side to the growing up experience. It's about youth gaining an awareness of your parents lives, their position in the world and the difficulties they face, their mortality and following on from that, the legacy they leave behind. Ryota Nakano's debut feature covers those issues with a great deal more subtlety and playfulness than that makes it sound, and does it concisely within the space of a mere 74 minutes. What's significant about the situation here is that sisters Koharu (17) and Hazuki (20) haven't seen their father for 14 years, since the time that he abandoned them and their mother for another woman. Learning that he is dying however, they make the journey to visit him in hospital, bringing a camera with them to take a photo for their mother so that she can laugh in his face. Events of course don't play out exactly the way they planned. Yojiro Takita's 2009 Best Foreign Film Oscar award winning DEPARTURES comes to mind when watching CAPTURING DAD, but not so much for how it covers the rituals and taboos associated with death and funerals as much as for how it touches on the underlying family issues with a hint of bittersweet black humour. It's not as ambitious as Takita's film, nor as wide-ranging in its scope, but CAPTURING DAD is all the better for its small-scale intimacy and the matter-of-fact handling of the situation that takes its focus and tone from the young people involved.